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Subverting Beauty - African Anti-Aesthetics

Subverting Beauty features approximately two dozen works from sub-Saharan African’s colonial period (c. 1880–c. 1960) that are accumulative, composite, crude, uncanny, and disproportionate.
Kómó Society Helmet Mask (Kómókum). Manding or Minianka region (Mali or Guinea). Early 20th century. Photo
Subverting Beauty features approximately two dozen works from sub-Saharan African’s colonial period (c. 1880–c. 1960) that are accumulative, composite, crude, uncanny, and disproportionate.

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10 Art Museum Drive
Baltimore MD 21218
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